Various – Music 2 Extracts UK , 1978 , OU 44 , Vinyl 12″ , Non-Music, Classical , A1. Short Phrase Without Ending; Short Phrase With Ending. (Piano)
A2. Four Different Endings. (Piano)
A3. Intervals (a) Octave; (b) Fifth (c) Fourth. (Piano)
A4. Quasi Handel-Three Extracts. (Piano)
A5. Overture To A Midsummer Night’s Dream. Exposition With Indents. (Orchestra)
A6. Symphony No. 5, Opening Of 1st Movement. (Orchestra)
A7. Overture To A Midsummer Night’s Dream. Bars 376-95. Hermia Breathless. (Orchestra)
A8. Overture To A Midsummer Night’s Dream. Bars 662-70. Fairies’ Blessing. (Orchestra)
A9. Overture To A Midsummer Night’s Dream. (a) Fairies Theme (Slowed Down); Court Theme (Isolated); (c) Court Theme (Speeded Up). (Piano)
A10. Brandenburg Concerto No. 2, 1st Movement. Bars 1-28. (Orchestra)
A11. (a) Chromatic Scale On Trumpet; (b) Brandenburg Concerto No. 2, 1st Movement. Trumpet Part At Start , Bars 1-8; (c) Brandenburg Concerto No. 2, 1st Movement. Trumpet Part At First Solo Entry, Bars 20-2
A12. Brandenburg Concerto No. 2, 2nd Movement. (a) Violin Theme, Bars 1-7; (b) Soloists And Continuo, Bars 1-23
A13. Brandenburg Concerto No. 2, 2nd Movement. Three Extracts: Flute, Bars 7-13 And 13-19; Oboe, Bars 15-21
A14. Prelude And Fugue On The Name BACH. Four Extracts: BACH Motive; Bars 1-5; Bars 68-71; Bars 120-9. (Organ)
A15. Octet, 1st Movement, Figures 6-8
A16. Octet, 1st Movement. Three Extracts: Figures 10-12; Figures 14-15; Figures 21-3
A17. Octet, 1st Movement. Four Extracts
A18. Octet, 1st Movement. Five Extracts
B1. Music Assignment A. Symphony No. 5, Minuet And Trio
B2. Music Assignment B. Varen (‘Spring’)
B3. Music Assignment C. Bagatelles Op. 9. Numbers 1-3
B4. Major Scale. Chromatic Scale. Extract (Slowed Down) From Chromatic Tune Of Grand Galop Chromatique. (Piano)
B5. Second Tune Of Galop. Third Tune Of Galop. (Piano)
B6. Two Examples Of Virtuosity From Galop. (Piano)
B7. Harmonies PoÃ©tiques (a) Ending; (b) Beginning. (Piano)
B8. Extract From Le Lac De Wallenstadt. Left Hand Only. (Piano)
B9. Palestrina Kyrie From Missa Aeterna Christi Munera. (Choir)
B10. Major Scale-Minor Scale-Dorian Scale-Gipsy Scale. (Piano)
B11. Beginning Of Kyrie Of Missa Choralis Altered To Major Key. (Piano)
B12. Hungarian Rahapsody No. 3 Second Tune Slowed Down. (Piano)
B13. Tune Of BartÃ³k Piece. (Piano)
B14. Two Tunes From ‘Miller Of The Dee’. (Piano)
B15. Tune ‘Manchester’s Improving Daily’. (Piano)
B16. ‘Cotton Lords Of Preston’ Original Version. (Piano)
B17. ‘If It Wasn’t For The Ouses In Between’ (a) Chromatic Part Of Tune; (b) Lines 1 And 2; (c) Lines 1 And 7. (Piano)

Ludwig Van Beethoven – Fidelio

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